movies: the wild robot

There are movies that just make me cry. Like, every time I see them.

And a non-zero number of those movies involve Chris Sanders, who is responsible for my favourite Disney movie, Lilo and Stitch as well as previous Dreamworks movies How to Train Your Dragon and The Croods, the former two alongside Dean DuBlois (who directed the later HTTYD movies).

Sanders is also the director and writer of The Wild Robot, based on the book by Peter Brown. And DuBlois acts as Executive Producer for this movie. Did that fact make me tear up at the end of the movie? Yes, yes it did. But honestly, I was a complete mess at that point.

The Wild Robot is the story of a service robot lost in the wilderness who, through a series of incidents, ends up raising a baby goose.

As far as story tropes go, it's some well worn territory. And it hits most of the required beats for the story that you expect.

However, Sanders has such an ability to drill directly into the heart of a story and hit everything just right. You know those moments when you're crying not really from your eyes, but it's coming from your whole chest/torso and your entire body is vibrating because you have all this crying trapped on the inside that needs to be on the outside...

There are at least three times during this movie I was at that point.

Do I have issues with some parts of the story? Sure. Is the beginning a little too much slapstick and people falling down the sides of mountains? Absolutely. Do I often wish in this kind of movie that they would actually just let the "kid character" actually end up looking like everybody else in his species? I do. I have the same issue with Happy Feet honestly... there's not reason the grown up penguin needs to look like the immature version of the character by the end. I understand the why of it, I just don't think it's particularly necessary all the time. Was I expecting a very different ending? Yes. But, I feel like that's a result of the fact that this is based on a book that is the first in a trilogy, and maybe the book itself is leaving the story more open for what comes next.

Also, did I immediately order in the book from the library, even though I know that they're not going to be the same? Yes.

But the important question is, do I actually care about the majority of those problems. No, no I do not.

It's a story about found family, about parents and children but more specifically about mothers and sons... it's a story about love.

This movie also gets... dark. Like dead creatures dark. There is a shot lasting several seconds, I believe, of the decapitated head of a bird. And another of the wing of a dead goose. Creatures die. It's literally a plot point in the movie. And it's handled appropriately. I also appreciate that the movie flirts very, very briefly with the idea of a "female love interest" for the goose and doesn't do anything with it because it's not the point of the story. In fact she never shows up again.

The voice acting is outstanding. With Lupita Nyong'o as the robot, Pedro Pascal as a fox, Kit Connor as the goose... they're all brilliant. And I enjoyed that I didn't actually recognise any of them instantly, which prevents me from being pulled out of the movie momentarily. Speaking of which, I did recognise Bill Nighy as the leader of the geese and Catherine O'Hara as an opossum mother, but Nighy's performance particularly is one of the points where I sobbed. Honestly both of them are great.

Visually the movie is... unlike anything I've seen. I don't even have a name for the style of the animation... it's kind of watercolour, kind of pastels, kind of digital painting, but everything has a loose, stylised, textured look to it in the world, so when you get up close on things it's soft and blurry, but everything still reads. And the characters keep the texture but less of the softness but still fully integrate into the world.

It is stunning. And I cannot recommend this highly enough.

yani's rating: 5 detachable hands out of 5